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Can’t wait for changes in Paradis

KAN IKKE VENTE PÅ UTVIKLINGEN I PARADIS
To wait for the perfect conditions, could mean you’ll be waiting forever!
Butikk i gamle Kolonial lager.
 Vi kunne ikke vente på utviklingen til å skjer på Paradis og har derfor pusset opp den gamle Paradis Kolonial. Oppussingen er fremdeles i gang, men vi åpner (uoffisielt) galleri utvidelse med en ny butikk, “TING PÅ GANG” i forbindelse med neste utstillingen, 19 mai.
Utrykket er en kombinasjon av den opprinnelige gamle bygningen (inkl. mit i treverk) og ny opp pusset vegger.
Her skal det selges kunst, brukskunst, klær og produkter som skiller seg ut fra de mer kommersielle.
Søndager fremover skal det også holdes intim, matineer konserter mellom kl14 og 18. Den første er søndag 18 mai med Annveig Fjellstad.
Atelierer i gamle Kolonialen.
Atelierene er i bruk og her er det foreløpig 8 kreative personer som holde til. Inkludert i deres leie er muligheten til å viser frem sine kunst. Når butikken, “Ting på Gang” er helt ferdig, skal det lages 2 arbeids plasser til.
Galleriet
Gallery Forrest-Shadeshape & Fineart skifte utstillinger månedlig og åpningen av nye utstillinger intigreres med levende musikk. Ved neste åpning, lørdag 19 mai, er det Birgitte Bakke, en av norges 3 “Hang” spillere og datteren til utstilleren.
Ta gjerne kontakt!
mvh,
Stewart Forrest, Jannicke Svanevik og Rune J. Svendsen
tlf. 949 76 583/ 934 68 486/ 408 81 355
 MEGAPIKSLER OG AKRYL
fotografier og malerier av
STEIN BAKKE
Stein Bakke er 66 år og til daglig førsteamanuensis i musikkpedagogikk ved Griegakademiet, Høgskolen i Bergen. Han er ellers aktiv som jazzpianist i byens jazz miljø og har et godt navn som akkompagnetør bl.a. i korsammen heng. Utstillingen på Gallery Forrest – Shadeshape & Fineart er hans første seperatutstilling. Stein Bakke har ingen formell utdannelse i maling eller fotografering, men ca. 5 år med kurs på fritid hos kunstneren Magnar Moen i Bergen. Stein Bakke stiller ut åde malerier i akryl og fotografier i akryl på pleksiglass.
Velkommen til åpningen kl 18-20, lørdag 19 Mai.
-Vi har skjenkebevilgning, men ikke kort terminal :-)

About

Education:

1974-1986: All sorts of good stuff from my mum, the artistJ

1990-1992: Art & Design – Southwest college of TAFE, Bunbury, Western Australia

Other:

Founder of “Gallery Forrest – Shadeshape & Finearts”

Co-founder of “Paradis Studios”

Co-founder of “Tilsammans”

A little about me:

I am an Australian artist currently living in Bergen, Norway.

Most of my upbringing was spent on the Southwest coast of Western Australia.

My mother was an artist and teacher, and ensured a creative childhood environment. When we weren’t painting or sculpting, my sister and I were kept occupied with excursions and science projects.

Being a worldly person, she was disposed to bestow in us an awareness of the world beyond our gate, and at the age of 6, took us backpacking on a 3 month tour of Europe, visiting all the major museums and art galleries. The experiences and impressions from this trip were eye opening, and greatly influenced my appreciation for European art and culture.

I don’t remember ever not drawing or painting, but it wasn’t until I was a teenager that I started taking it more seriously, working on larger formats (240×120 particle boards) and exploring alternative mediums. I developed an interest for airbrushing, though missed the texture and imperfections of brushwork. I started combining the two techniques, and at 17, won 3 first prizes in a regional art competition with my “H.R.Giger” influenced impressions of the mother Mary.

As an early adolescent, I diverted from my path and went to work in the gold mines of Western Australia. This was a very dark, yet mind opening period of isolation and self exploration. I continued painting in my 2×3 living quarters, and ultimately, painting became my salvation. I started painting my dreams and after 2 years of depression, managed to paint a landscape of my future home (a house in the mountains of a faraway place), moved back to the coast and enrolled in art classes again.

Shortly after this I met and fell in love with a Norwegian girl. In the late 90′s we travelled Europe, moved to Norway, married and settled down. We bought her childhood home, nestled in the mountains of Bergen.. and added an atelier.

Moving to the other side of the world gave me distance to reflect on life, and through an extensive search for answers to ungraspable questions, was led to a fascination for quantum physics. A lot of my work since coming here, subtly references the fundamental patterns at work in our lives, and their influence on them. Making sense of these seemingly cold micro events within the fluidity of the macro world around us can be an exhausting task, and these paintings usually go hand in hand with periods of frustration. As an antidote, I often revert to my love of light and form.

I have been admiring the old rotting farm houses and industrial buildings around Bergen and am currently finding inspiration in the dauntingly beautiful process of decay.  It is a Phenomenon that we can all relate to, though rarely consider. The same patterns that rot a house away, are at work, slowly decomposing religions, societies, loved ones. We say goodbye or replace them with something new. Evolve, move on and let go. Though ultimately, the entire universe is not exempt from this rule.

 

 

CV

Exhibitions/ Commissions

NORWAY

2013 – Joint exhibition at AGORA GALLERY, Chelsea, New York

September 2012 – “Selected works” at Tre Brør, Voss; Solo Exhibition

July 2012 – Joint exhibition at Gallery Forrest – Shadeshape & Fineart

September 2011 – “Owned” at Gallery Forrest, Norway; Joint Exhibition

January 2011 – “Winter Works” at Glesvær Gallery, Norway; Joint Exhibition

November 2010 – “Figurative Light” at Gallery Forrest, Norway; Solo Exhibition

April 2010 – “Selected Works” at First Hotel Marin, Norway; Joint Exhibits

June 2009 – “Fractions of 3 Dimensions” at Gallery Forrest, Norway; Joint Exhibition

September 2006 – “Commission for 8 works” at Potet Kjelleren, Norway; Commission

July 2006 – “Strekens Dans” at Finken, Norway; Solo Exhibition

August 2005 – “Gallery Opening” at Tilsammans, Norway; Solo Exhibition

October 2005 – “Commission for 15 works” at BOHA, Norway; Commission

August 2004 – “Intellectual Fashion” at Northern Soul, Norway; Joint Exhibition

August 2003 – “Selected Works” at The Cut, Norway;

Juni 2002 – “Spirit of Science” at Hvaler Kulturhus, Norway; Solo Exhibition

Mai 2002 – “Commission for 4 works” at R&B Scooter, Norway; Commission

AUSTRALIA

September 1998 – “Communications” at Telcom competition Perth National Art Gallery, Perth; Joint Exhibition

March 1998 – “Selected Works” at The Barracks Art Gallery, Bunbury; Joint Exhibition

December 1997 – “Construct – Destruct” at Gelorup Council House, Gelorup; Solo Exhibition

August  1997 – “Wall Mural” at Capel Shire, Capel; Commission

March 1997 – “Commission for 2 works” for Southwest Recycle, Dardanup; Commission

Oktober 1996 – “Southwest Survey” at Bunbury Regional Art Gallery, Bunbury; Joint Exhibition

April 1992 – “Bunbury Regional Art Show” at Bunbury Show grounds, Bunbury; Joint Exhibition

Techniques

I have experimented alot with techniques over the years. One of my favourite techniques involves carving out the whole motiv/ design on a large panel of wood. Then I lay the canvas over the wood and apply pressure to all edges and crevasses. I am left with a slight indentation of the carved design. I then make sure the canvas is completely level and spray a thick layer of thinned oil paint over the whole canvas. The paint particles seperate or accumulate within the linseed oil depending on the levels of the surface. It usually takes 1-3 months before I can touch the painting!

Due to the slow drying process, the thicker areas of paint create an interesting fractal like surface. What I like most about this technique, is the fact that I am only partially in control of the final result.

Another technique I enjoy focuses on texture. I drown the canvas with house paint and then cover it with glad wrap (cling film) and put it on a hot oven to cook. The paint starts to boil, bubble and steam under the plastic.

When the process is finished, I am left with a very intricate surface of lines and holes to continue painting on. Alternatively, I might scrape a two dimensional design or poem out of the house paint(as in “Leif”) before covering it with plastic. Then when I paint my desired motiv on the surface, it gives the impression of two seperate elements that have been superimposed.

Most of my more unusual techniques were derived from observations after accidents and then trying to understand what and how it happened.

90% of my work is done in oil paint and through this medium, it is the exploration of colour and the expression of stroke that lend to the mysterious elements of creation.

Contact

 
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